![]() ![]() I hope in distancing myself from them I am able to speak my mind without them suffering the consequences. “The only way forward for me is to leave the band. I’ve already felt that beginning,” he wrote. I could remain and continue to self-censor but it will erode my sense of integrity. My love, loyalty and accountability to them cannot permit that. “For me to speak about what I’ve learnt to be such a controversial issue will inevitably bring my bandmates more trouble. ![]() Since then, Marshall continued, he has spent much time “reflecting, reading and listening”. Marshall claimed he was then attacked by “another viral mob”, this time “for the sin of apologising”. The peghead is adorned by the original “Willis”, Mumford & Son’s long-standing, top hat wearing mascot who has become synonymous with the band since day one.Mumford and Sons performing live (Getty Images for NARAS) Winston’s name features at the 19 th fret, while the symbol of his home the Union Flag waves across the seventh fret. All the inlay work is mother of pearl, with the majority of fret markers depicting the shield motif from Gentlemen of the Road. The banjo itself is a maple banjo, stained in a rich dark amber and finished in a sleek, understated satin finish. WINSTON MARSHALL PROFESSIONALThis has become the tone ring of choice for many professional mainstream players. While at the same time giving a warm depth of tone while not losing on the bright side of the tonal range. It gives the banjo a significantly lighter weight which is heaven sent for players like Winston who like the freedom to move on stage. The Grenadillo wood Tone Ring has two benefits. This is a feature Winston has used from time to time on tour and, together with the pickups, gives the broadest range of amplification control and options possible on a banjo. WINSTON MARSHALL INSTALLYou can install your favorite mic, by simply plugging it into the XLR jack and strapping it to the coordinator rods. This is an added tool that compliments (or works alongside) the pickups. Snugged in next to the jack, is an XLR jack. However, look closely, and you will notice something different about Winston’s banjo. With a standard guitar cable players can plug directly into an amp, DI, or pedal board and be ready to roll. Nestled in between the knobs is a 3-way toggle switch, giving the player the ability to quickly select the Kavanjo at the neck position, the piezo at the bridge position, or simply blend the two at the flick of a switch. The volume knobs on this model have also moved location from the traditional “below strings” of an electric guitar, up to the top shoulder of the rim of the banjo, more akin to the EQ dials of an acoustic guitar, for ease of access. ![]() This new set-up is the Kavanjo Blender System DVS (Dual Volume Switch) model which features two knobs which allow the player to control the volume of the Kavanjo and Piezo separately to get the perfect honed-in mix between the two. ![]() The Kavanjo /piezo blended pickups were inspired by a similar system from Deering’s Phoenix banjo, only taken up a notch specifically for Winston’s Signature Model and his touring needs. The electronics are a key feature of the Winston Marshall Model. However, underneath this s mooth s implicity lies a beating heart of banjo innovation. On the surface, one could argue that this banjo is quite understated. Others are personal aesthetics, revealing a glimpse into the mind of the man who has arguably bought banjo to the forefront of modern popular culture more than anyone before him. Some are by necessity - features that he has adopted over the last eight years of playing Deering Eagle II banjos on some of the biggest stages on the planet. Every detail of this banjo has a purpose and is the result of more than a year of close collaboration between Deering and Winston. The Winston Marshall Signature Model is, in his own words, the ultimate touring banjo. ![]()
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